John Peel's record collection is
probably the most notable in Britain. On his death it contained in excess of 26,000
albums, 40,000 singles and countless CDs. While singles and CDs were filed
alphabetically by Peel, his albums were filed numerically and cross-referenced on
hand typed filing cards. These cards
form the basis of the Arts Council-funded website called The John Peel
Project on The Space.
In addition to the collection itself, there are links to Peel sessions
(including the excellent 1974 session by David Bowie), photographs and videos
of some of the artists featured in the collection of as
well as home movie footage.
Users can browse Peel’s collection
by clicking on the record case, after which a glide along the shelves with the
mouse will allow you a glimpse of some of what’s there. Clicking on a record with
available documentation allows you to see an image of Peel’s card for the item,
complete with notes, an image of the sleeve and, in some cases the notes he has
made on the sleeve itself, as well as occasional links to tracks from the album
on Spotify. The first album selected for inclusion, Mike Absalom's Save Last Gherkin for Me, was chosen because it’s record
card was the first filled in by Peel. In addition to the staples of his radio show, there are artists whose
presence among the collection might elicit surprise, under A for
example, are A-ha’s 1986 album Scoundrel
Days and Abba's 1979 homage to disco Voulez-Vous.
The collection shows the breadth and
chronological development of Peel’s taste, and includes music by bands that he later
disparaged. In reflecting the eclectic and continually evolving product of Peel’s apparently boundless enthusiasm for
such a diversity of music, the John Peel Project all seems very much in the
spirit of his radio show and is a joy for any music lover to explore.
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